No. 03 · The Selection · age 26
Cindy takes the oars
Trainers on, oars ready, and every good afternoon spent under open sky.
Available today Daylight hours, finishing by early evening
- Age
- 26
- Height
- 168 cm · 5 ft 6 in
- Hair
- Long, wavy blonde
- Eyes
- Blue
- Figure
- Slim
- Languages
- English
- Home district
- Chelsea
Profile updated September 2026 · portraits checked in person
Behind the glass
Sunlight first, then everything else. Cindy plans her bookings around good light, which in London means she is at her brightest between lunch and the moment the park lamps flicker on. Blonde waves, blue eyes, 168 cm, slim, and the posture of somebody who does yoga at seven each morning and would like you to try it too. She dresses for walking: white trainers, a camel coat, a camera on a strap. Nothing about her is studied.
Cheerful is her default setting, and easygoing is the reason it lasts all afternoon. Conversation happens in English and at a good pace. Mid twenties, she sails on the south coast when a free Saturday allows, photographs strangers' dogs with their owners' blessing, and is endlessly curious about where people come from and what they do when they are not working. Hold a view on film cameras against digital and she will have three of her own.
The Oxford Street version of her day heads north. Twenty minutes up Baker Street and you reach the boating lake in Regent's Park, where she takes the oars if you let her and rows a straight line with obvious pride. Then tea on the terrace by the water, a slow circuit of the inner gardens, and back to your hotel before the rush, with a phone full of photographs you never saw her take.
Chelsea is home; she meets guests anywhere north of the park, with Regent's Park the easiest afternoon of all. Afternoons into early evening are her hours, and a time sent through booking is usually confirmed within the hour.
Cindy's ladder
Whole pounds for whole hours, and the figure shown is the figure paid. Travel inside Zones 1 and 2 comes included; every term sits on the rates page.
| Length | Fee | Good for | Message |
|---|---|---|---|
| One hour60 min | £250 | A drink in the bar or an hour of talk upstairs | Ask |
| Ninety minutes90 min | £400 | Unhurried, with time for a second glass | Ask |
| Two hours2 hrs | £500 | Dinner nearby and the stroll back to your hotel | Ask |
| Three hours3 hrs | £700 | A show and a late supper, or a long night in | Ask |
| Dinner date4 hrs | £900 | Four hours built around a proper table | Ask |
| Overnight10 hrs | £1,800 | Ten hours, late evening through to breakfast | Ask |
| WeekendFri to Sun | On request | Priced around your plans by the desk | Ask |
Message ready
Fill the brackets, press send, and keep the room number back until the booking is confirmed.
Hello, I would like to book Cindy on [date] at [time] for [duration]. I am staying at [hotel name], and will share the room number on confirmation.
Cindy after dark
It starts at two, outside the Baker Street exit, with Cindy checking the sky and deciding it will hold. She walks quickly. At the lake she picks the boat with the least wobble, rows you to the far bank past the herons, then hands over the oars for the return trip so she can photograph you failing gracefully.
Tea follows, with a slice of something lemony. She asks the sort of questions that make an hour vanish: the best place you ever woke up, your worst holiday, the one thing you would change about your job. By half past four the light has gone golden over the rose beds, and she shows you the picture she likes best from the afternoon. It is never the one you expected, and it is usually of you laughing.
Cindy, asked
Badly on the first length and rather well on the second. The ducks have learned to give me room, and the herons pretend not to watch.
An old film camera my uncle gave me, loaded with a single roll. Thirty six pictures makes you choose, and choosing is half the fun of taking them.
Then it is the Wallace Collection and a hot chocolate. I never cancel for weather. I just change the plan and bring a bigger umbrella.
What guests wrote
This pane has no guest notes yet. They go up after genuine bookings only, once the desk has checked them; each carries a first name and when it was written, nothing explicit, and Cindy can ask for any of them to come off the glass.
- 5 min readDurrants and the old Marylebone manner, from the panelled bar to breakfastWood panels, deep armchairs and porters who remember a name. The Georgian hotel behind the Wallace Collection, how its manners shape an evening, and who to invite along.
- 5 min readFront row at the pass: counter seats and kitchen tables north of Oxford StreetWatching the pass at work turns dinner into a shared show. The counters and kitchen tables north of Oxford Street, what they ask of an evening, and why they suit two people.
